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Celebrity May 20, 2017
By Lois Sakany
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Celebrity

Solange Creates Artful Music And Movement Experience At Guggenheim Museum

May 20, 2017. Leave a Comment

Solange performed two sold-out shows at New York’s Guggenheim Museum on Friday (May 19, 2017) at an event titled “On Ode To,” whose invite foreshadowed that the event was aiming for something deeper than just a musical performance. In addition to the warning that phones and cameras would be collected prior to the show, attendee were given the assignment of wearing all white.

Requiring white as a dress code has long been a popular theme especially within black and gay communities and it happened to be a theme of Solange’s own wedding. Beyond all the power symbol the color holds, asking people to dress a certain way was a simple and fun way to bring them into the performance.

Hosted by Red Bull Music Academy, the event was described as “an interdisciplinary performance piece and meditation on themes from A Seat at the Table that incorporates movement, installation and experimentally reconstructed musical arrangements.”

The cast of players was led by Solange, who was backed up on the first floor by two vocalists, six musicians and eight dancers. Playing off on the Guggenheim circular space, a 13-member horn ensemble played above the band on the space’s second floor. Later on in the performance,  32 additional dancers descended to the ground floor for the event’s grand finale.

According to the NY Times, dancers included Kristen Foote of the Limón Dance Company and Davalois Fearon of the Stephen Petronio Company.

Check out more images from the event. Photography via by Carys Huws, Krisanne Johnson, and Stacy Kranitz for Red Bull Music Academy.

Celebrity Music Davalois Fearon Guggenheim Museum Kristen Foote Limón Dance Company Solange Stephen Petronio Company

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The GOAT Serena Williams says farewell to her care The GOAT Serena Williams says farewell to her career as a professional tennis player in the September issue of American Vogue.

In the cover story, which is a must read, Williams shares some thoughts on her evolution away from tennis and says,"Believe me, I never wanted to have to choose between tennis and a family. I don’t think it’s fair. If I were a guy, I wouldn’t be writing this because I’d be out there playing and winning while my wife was doing the physical labor of expanding our family. Maybe I’d be more of a Tom Brady if I had that opportunity. Don’t get me wrong: I love being a woman, and I loved every second of being pregnant with Olympia. I was one of those annoying women who adored being pregnant and was working until the day I had to report to the hospital—although things got super complicated on the other side. And I almost did do the impossible: A lot of people don’t realize that I was two months pregnant when I won the Australian Open in 2017."

The cover editorial was styled by Gabriella Karefa-Johnson, who in 2020 became the first black woman to style a U.S. Vogue cover.

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Know for his 1983 Pleats Please collection, L'Eau D'Issey fragrance, the Bao Bag, to name a few, Miyake's design legacy is meaningful. 

Expressing of view of fashion that was artful and timeless, he once said, "Anything that’s in fashion goes out of style too quickly. I don’t make fashion. I make clothes."

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