There’s Disney World for the kiddies and for adults obsessed with fashion, there is luxury retailer Bergdorf Goodman on Fifth Avenue in New York. It’s especially known for its handbag counters dispersed throughout the first floor. Not unlike reading like a who’s who in the business, a cruise through Bergdorf’s first floor will give you a quick read on which labels are popping in the world of lux handbags and by virtue of their absence, those that are not.
As such it comes as no surprise that in a celebration of the completion of its first floor remodel, bag labels were happy to pony up for a total of 50 exclusive silhouettes. As well, it is also not shocking that many of these earthly delights are already sold out. Women with wealth do not play when it comes to laying down coin for the items they covet.
Check out some of the featured bags below and visit bergdorfgoodman.com for more info.
![Actress #ViolaDavis' cover for #VanityFair is winning praise, especially in light of gymnast #SimoneBiles' #AnnieLeibowitz-shot #Vogue cover, which has been widely panned.
Turns out, Davis was shot by #DarioCalmese (portrait on the slide by #TeronBeal), the first black photographer to shoot a cover for VF, which was first published from 1913 to 1936 and then revived in 1983.
Until two weeks ago, according to the @nytimes, Calmese didn't know if he was the first Black photographer to shoot the cover but he had a hunch so he reached out to magazine editors.
In the magazine's July-August letter, editor-in-chief #RadhikaJones wrote, "To the best of our knowledge, it is the first Vanity Fair cover made by a Black photographer.”
At the same time, in the 35 yeas before Jones was named editor, VF had published just 17 covers solo covers featuring Black people. Since become EIC two-and-a-half years ago, Jones has published eight covers featuring Black people including two featuring interracial married couples.
According to Calmese, the cover poses was inspired by an 1863 McPherson & Oliver photograph (on the slide but be warned it's disturbing) of Gordon, an enslaved man whose back is filled with scars from being whipped.
Commenting on the choice, Calmese explained, "When you look at it, it is gruesome and harsh, but he pushes back more toward the camera. His hand is at his waist, you know that line, with his profile going down the arm and coming back. And so I was like: I can recreate this."
Well aware of the importance of the cover, Calmese said, "I did know that this was a moment to say something. I knew this was a moment to be, like, extra Black."
According to the NY Times, "For [Jones], the image represented the strength it takes to tell your own story, she said. For [Calmese], it is about rewriting an old story.](https://snobette.com/wp-content/plugins/instagram-feed/img/placeholder.png)
